Here are the remaining Ashley Sterne articles through 1916
that I found republished in Australian and New Zealand newspapers. These
articles resisted being pigeon-holed into common themes.
As before, the dates shown below are the earliest
republishing dates and lag the original London publishing dates by
indeterminate intervals.
My Mushstool [Dec 1915]
(from trove.nla.gov.au)
Little Christmas Worries [Dec 1915]
(from paperspast.natlib.govt.nz)
The Burden of Riches [Dec 1915]
(from paperspast.natlib.govt.nz)
My Account-Book [Jun 1916]
(from trove.nla.gov.au)
Old Masters [Dec 1916]
(from trove.nla.gov.au)
My Mushstool
By
Ashley Sterne
As everybody knows, the speed with
which mushrooms grow is proverbial. You may walk one evening through a meadow
as devoid of these nutritious and succulent fungi as the ordinary commercial
doughnut is of jam; yet the next morning the field will look as if some
exceedingly careless giant had upset a box of gargantuan collar-studs all over
it. The reason for this excessive rapidity of growth has never been
satisfactorily explained by botanists; but the theory most generally accepted
is that the mushrooms become fully developed underground, like truffles; and it
is the activities of moles and other subterranean animals burrowing about
beneath the turf which serve to upheave these otherwise modest and retiring
vegetables above the surface, and into the light of day.
In view of this simple explanation
it is a little surprising that no enterprising mushroom-monger has yet
considered the advisability of hunting for mushrooms with dogs specially
trained to sniff out their whereabouts. Large quantities of mushrooms that
would otherwise be "born to blush unseen" might then be enticed from
the reluctant bowels of the earth.
And therein lies the one supreme
drawback to that almost universal esteem in which mushrooms as articles of diet
are held. For we can never be absolutely certain that what we take to be an
innocuous and appetising edible may not, after all, turn out to be a toadstool
of the most virulent and depraved type; and until the fruits of the earth
develop the habit of arriving at maturity with their correct names clearly
printed upon them (and I offer the suggestion in all good faith to those
experimental vegetable-growers who are at present squandering much valuable
time in abortive attempts to hybridise the vegetable-marrow [squash] and the
artichoke, the rhubarb and the turnip, the cauliflower and the green pea),
until such time, I say, there must always remain a certain element of doubt as
to the precise identity of the particular fungus we are concerned with.
Many and varied are the tests which
have from time to time been advocated for distinguishing between mushrooms and
toadstools, but as far as my own experience goes, none of them—with the
possible exception of giving the suspected vegetable to a friend and noting
carefully the subsequent state of his health—is either reliable or conclusive.
I was staying at my country cottage a few days ago and, chancing to rise early
one morning—sleep had been rendered impossible by the attentions of a covey of
mosquitoes—I was inspired to walk abroad with the idea of observing the
phenomenon of the lark leaving its watery nest. In the course of my ramble I
found a magnificent specimen of the mushroom as big as a soup-plate. With care
I managed to extract it without cracking or chipping it, and placed it in my
hat. A little later, meeting a worthy son of the soil on the way to plough his
father, I showed him my find, and in response to my question he expressed the
unhesitating opinion that it was a mushroom. Shortly after, I met another
farm-laborer whose opinion I likewise sought. He was equally emphatic that it
was a toadstool. He told me I could prove this for myself by shutting it up in
a dark cellar all day, and if at night it was phosphorescent I should know for
certain it was a toadstool. Then just as I was about to turn home again I met
an old farmer. He, I thought to myself, is sure to be able to tell me
definitely; and so once more I exhibited my prize, and craved the favor of his
opinion, He examined it closely for some minutes, and then said: "Can't
say for sure. But I tell you what: take
it home, put it in a dark place all day, and tonight go and look at it. If it's
phosphorescent, it's a mushroom."
Well, the upshot of the matter was
that I took my mushstool (or toadroom, if you prefer it) home with the firm
determination of posting it off at once to a specialist, and abiding entirely
by his verdict. I put it on the kitchen-table while I went to find a box to
pack it in, but when I returned it had vanished. What became of it I don't
know, but from some remarks dropped by the cook which I overheard I learned
that she was unable to account for a novel and most effective kettle-holder
which, she said, had mysteriously appeared on the premises. Consequently I have
my suspicions.
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Little Christmas Worries
By
Ashley Sterne
On first reading the above title
you will probably think it's a misprint; for you will say to yourself that
Christmas hasn't got any little worries; that it's all peace, and goodwill, and
sausages, and mistletoe; and that the man who argues that the festive season
has its anxieties must be one of those impossible misanthropes who, when (if
ever) he gets to Paradise, will complain that the harps are out of tune, or
that his halo is not a perfect fit.
THE
RESTIVE SEASON.
But if you pour a little cold,
strong tea upon your head, a few moments' reflection should serve to
demonstrate to you that there is a thorn in every ointment, a fly in every
rose; and that even Christmas, with all its joys and gaieties, is not entirely devoid
of those petty annoyances that have been known to reduce strong men to the
verge of tears, and to drive weak men to the brink of drink. Take, for example,
the fact that Christmas Day is also Quarter Day. I don't know what playful
satirist was responsible for this sorry and unseemly booby-trap. I wish I did.
I would inveigh him with all the recognised curses known to the world's most
fluent bargees [bargemen], so that he would not merely turn in his grave, but
positively gyrate. For when I require money to spend on presents for my near
and dear ones, it seems to me to be the height of irony that a prior lien upon
my resources is already legally established in favour of my landlord, who
(fortunately) is not near, though (unfortunately) he is abominably dear.
The direct result of this tactless
and heartless arrangement is that for at least a week before Christmas I have
to exercise the most rigid economy—only two glasses of port after dinner, the
Daily Mail instead of The Times, and nothing in the collection on Sunday—in
order that I may be able to afford to send my annual sixpenny' packet of milk'
chocolate to my aunt Louisa, a sixpenny Keats calendar to my Uncle Jasper, and
a couple of sixpenny pocket-diaries (containing valuable accident-insurance coupons,
enabling the holder to lose one or more limbs in several attractive ways
entirely free of expense) to my two cousins, Mildred and Grace.
On more than one occasion a
financial panic has only been averted by my utilising for my own ends Christmas
cards of the previous year upon which the senders had happily omitted to write
their names. You, gentle reader, with your fifty or sixty thousand a year, who
send your cheque for seven pounds ten to your landlord punctually every quarter
with no more concern than if you sent him a doughnut or a banana, can afford to
cavil with me, and accuse me of attempting to make a mountain out of a sow's
ear; but I assure you (with my hand on Webster's Condensed Dictionary, which
happens to be the most solemn tome within easy reach) that the coincidence of
Christmas Day with Quarter Day completely transforms—in my own case, at least
—what is glibly termed "the festive season" into what may be aptly
termed "the restive season."
UNSOLICITED
PERFORMANCES.
Another thing for which I shall
always hold Christmas in disfavour is the unsolicited al fresco choral
performances to which one is compelled to listen. Now, I am very fond of vocal
music. I have listened for hours to Pavlova [Anna Pavlova, Russian ballerina]
on the gramophone, and for the last ten years I have regularly attended a
famous songstress's annual Farewell Concert solely to hear her sing that
delightful old ballad, "Here a sheer hulk lies poor Tom howling." And
I am equally fond of music when circumstances permit of, and are suitable to,
its being performed in the open air. I remember one evening at Venice lying in
a gondola on the Grand Canal gazing into the deep blue of the Italian sky (a
hue which Mrs. Elinor Glyn has so successfully incorporated into the modern novel,
and Mr. Reckitt into the modern wash-tub [Reckitt's fabric bluing]), and being
moved to a state of lachrymose rapture by the rendering of "Hitchy
Koo" by a party of American tourists from Honk (Pa.) , who were undergoing
one of those ten-day trips through the Sunny South that have inspired so many
transpontine literary masterpieces on the subject of the Italian Renaissance by
such able and illuminating writers as Mungo T. Bilge (of Piffleville, Pa.),
Sadie Q. Figmush (of Mulgiddersprat, Ma.), and Drquhart J. Doddle (of Bosh,
Ba). Under these conditions you will readily imagine the added enchantment
which was lent to the scene by the rhapsody and threnody of these subtle
(though perhaps somewhat nasal) harmonies; and as I rose from my horizontal
position to assume the perpendicular one in which I invariably walk, and ascended
the steps of the quay preparatory to entering my hotel to dress for dinner, I
could not help thinking of Shakespeare's beautiful words—
"If music be the love of food,
feed on, Macduff."
Contrast this with the sensations
you experience on a cold December night, when, having just snuggled down into
the comfortable depths of a well-feathered bed, you are promptly assaulted by
the harsh, half-broken voices of the local butcher boy, the newspaper boy, the
milk boy, and half a dozen other confederates, acquainting you with the fact
that the good (and apparently draught-proof) King Wenceslas once had the
temerity "to look out" ("of a window," I take it) "on
the feast of Stephen" (which—presumably—was held in the garden immediately
beneath the window out of which King Wenceslas looked; otherwise, the words are
pointless.)
THE
CLIMAX.
Then, when they've croaked their
cacophonous way through what seems to your tortured ears to be about forty-seven
verses concerning the subsequent adventures of this inquisitive monarch, they
have the impertinence to ring a triple bob-major, a straight flush, and a
jackpot upon your front door bell, and continue to peal until you get out of
your warm bed, don your chilly slippers and dressing-gown, descend the frozen
staircase, and shout through the icy letterbox all the bitterest anathema and
most trenchant sarcasms you can think of. At this game, however, you probably
find that the butcher boy and his disreputable colleagues can more than hold
their own; so, after consigning them, their heirs, executors, and assigns, collectively
and individually, to a variety of hideous dooms long since regarded as relics
of paganism, you return, to your room
with the words of the Village Blacksmith running in your head: —
"Something attempted, nothing done,
To earn a night's repose."
[Longfellow's poem the Village Blacksmith actually goes
"Something attempted, something done, Has earned a night's repose."]
This will be more fully impressed
on you as the night wears on, and further parties of vocalists turn up at
intervals of a few minutes to haunt you with relays of carols, and drive you
demented with assorted soli upon your bell. The climax is eventually reached
when the local Brass Band arrives about 2 a.m., and launches a selection of
ear-splitting melodies full at your bedroom window. Goaded by desperation to
your last extremity, you once more bound out of bed and hastily searching your
trouser-pocket for the morrow's lunch money, you fling open the window and hurl
the extorted bullion at the head of the ruffian who is putting about 75 h.p.
down the business end of a bass trombone.
You finally tumble into bed in the
firm conviction that if the pandemonium you have endured at intervals during
the last three hours is to be taken as an expression of the goodwill towards
men with which Yuletide is popularly supposed to be saturated, the sooner a
competent chartered accountant is called in and his opinion taken as to the
advisability of writing off that same goodwill as a doubtful asset, the better
it will be for a tolerant and long-suffering humanity.
PERNICIOUS
PUDDINGS.
Lastly, let us briefly consider the
extraordinary and inexplicable custom of making and consuming that highly
injurious form of pabulum known as Christmas pudding. Everyone admits that
Christmas is not Christmas unless the dyspeptic compound forms the piece de
resistance at the festive board. But where, I ask, is the authority for
including it in an already overcrowded and super-indigestible menu? I have
turned the usually well-informed Mrs. Beeton inside out—I speak figuratively,
of course—in my endeavour to solve the problem, but she maintains an obstinate
silence on this important point. (She seems to have completely exhausted her
investigatory resources in that absorbing and powerful essay entitled "
Observations on the Common Hog").
Other, culinary authors, too, are
as mute as dumb-bells upon this momentous question, with the result that the origin
of Christmas pudding is swathed in several thicknesses of mystery, albeit some
investigators hold that the first appearance of Christmas pudding coincided
with the discovery of Portland cement.
Be that as it may, the fact remains
that we annually turn out—and subsequently turn in—several thousand tons of
this deleterious mixture, and thus help to keep ninety-nine per cent. of the
medical profession from swelling the ranks of the unemployed. It is no
exaggeration to say that in the majority of households the whole domestic
machinery for weeks before Christmas suffers severe dislocation on account of
the services of every servant, and all the available cooking utensils being
co-opted for the purpose of manufacturing these pernicious puddings. For the average
housewife is not content with making one solitary specimen; she must make, not
a single spy, but a whole battalion, and this passion for pudding-production
has on more than one occasion been the cause of bitter friction arising in
hitherto happy and flourishing homes. I know of one unfortunate man who lived
for an entire fortnight on a precarious diet of sardines and grape-nuts, owing
to the cook's whole time being absorbed by pudding manufacture. The direct
result was that on Christmas Day, when, by all the laws of justice and equity,
he should have been permitted to reap the reward of his endurance by an
unlimited debauch of pudding, his digestive faculties were so undermined from
his subsisting so long on a restricted dietary that he was compelled to remain
in bed, nourished at rare intervals with a rusk and a glass of hot water,
whilst a solicitous mother-in-law regaled him intellectually with selections
from the "Anatomy of Melancholy," "Paradise Lost," and
"Foxes Book of Martyrs."
Personally, I never touch Christmas
pudding as a comestible. I have occasionally used one as a jack at bowls, and
another small one (possessed of enormous specific gravity and a pachydermatous
rind that has blunted more cutlery than the most slovenly knife-boy) reposes on
my writing-table, where it fulfills the useful function of a paper-weight. Its
beauties as a food are absolutely wasted on me; and if ever I feel as if a
little illness would be beneficial to my health I go about and catch a
thoroughly respectable disease that I am not ashamed to exhibit to the family
doctor
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The Burden of Riches
By
Ashley Sterne
There is no one, I suppose, of
small or moderate means who has not, at one time or another, speculated as to what
he would do if he had sufficient worldly wealth to enable him to pay,his rent,
rates, and taxes without feeling the difference; or to indulge in asparagus,
orchids, caviare, and an expensive motor-car where other lesser mortals have to
put up with turnip-tops, Michaelmas daisies, potted bloater, and a second-class
season ticket. Moreover, I further suppose that all of us who were not
fortunate enough to be born with silver, gold, or radium spoons in our mouths,
or who have not amassed riches in our businesses or professions, are still
striving to attain that state of affluence which, millionaires inform us, is fraught
with constant worry and anxiety, but from which they (the millionaires) seem so
loth to free themselves.
Personally, I receive the statements
of men like Mr. Rockebilt or Mr. Carnefeller, to the effect that they were
never happier than when they were in receipt of half-a-crown a week, for which
they had to work eighteen hours a day, not merely with a grain of salt, but
with a whole cruetful of condiments. Life on an income of a million a year may
indeed be an anxious and worrying one, but at the same time one must not lose
sight of the fact that to be anxious and worried as to how to find an outlet
for an income one already possesses is a vastly different kind of distraction
from that which arises from life on an empty stomach, with clothes only fit for
pen-wipers, children crying for buns, and rent so far in arrears that, from the
landlord's point of view, it may well be described as "lost, but not
forgotten."
Yet, up to a certain point, I feel
I can sympathise with the millionaire over what he facetiously calls his "troubles."
It must be infinitely galling to his highly sensitive millionaire nature to
feel that, though he has the means, he lacks the anatomical accommodation to
carry more than four heavy and luxurious meals a day; that social etiquette
prohibits his decorating his person with more than a limited quantity of gold
and jewels; that the wearing of more than one fur-lined overcoat.
simultaneously is irksome; that he can only be seasick in one palatial yacht at
a time; and that; in spite of his wealth, his frail body is still liable to be
attacked by the same cheap and vulgar brand of microbes which invade the system
of the poorest and humblest Labor member.
The truth of the matter is that
very few rich men are able to differentiate between luxury and comfort. Now,
were I rich I should not fall into this error. There are two things, and two things
only in which I should indulge myself, and these are not luxuries, but simple,
lowly creature-comforts. The rest of my money I should devote towards
establishing a Home of Rest for the Private Secretaries of Millionaires."
Firstly, then I would keep a box
of, say, a thousand collar-studs upon my dressing-table, so that I should no
longer have my daily humiliating experience of grovelling on the floor and
under my bed, and reducing my head to a state of pulp against the projections
of excessively hard wood which furniture-makers (I believe, vengefully and
purposely) use for the manufacture of bedroom furniture. Nor should I have to
emerge from my room with one pin perforating the nape of my. neck and another
puncturing my larynx—tortures which I normally have to endure until I can seek relief
at the nearest haberdasher's.
Secondly, I would keep a box of
matches chained and padlocked to every mantelpiece in the house. Only the habitual smoker can thoroughly appreciate
the comfort to be derived from this plan. The sole person in my own home who
ever seems to have any matches is the housemaid, who goes about the place with
every hole and cranny of her costume distended with match-boxes. But if ever I
have the temerity to ask her if she can oblige me with a match, she never
produces one from her person, but cheerfully runs down three flights of stairs
to the kitchen, and fetches me a full, new box. I strike one, and place the
remainder on a chair or a table; but when, a few minutes later, I require them
again, they have vanished—gone, of course, to swell the secret hoard which (I
can only think) the girl is accumulating against the day when she espouses the
milkman. Happy milkman! There will be no stint of matches for some years in his
household. Nor, now I come to think of it, will he ever know the lack of a
collar-stud; for I never subsequently set eyes again upon the two I lose every
morning, and since the housemaid "does" my room, does not herself
wear collars, and has, moreover, been with me for seven years, it is clear that
she has amassed a dowry of 5110 best mixed studs. May Mr. Chalkley Waters live
up to them!
[Obscure punch line. However, I found a joke published in 1896: "Mr Chalkley Waters, the retired
milkman, reminds me of the whale that swallowed Jonah." "How's
that?" "Because he got a profit out of the water."]
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My Account-book
By
Ashley Sterne
As the anniversary of my birthday
comes around with painful regularity I make a whole list of noble resolutions.
No meeting of stop-the-war cranks is half so full of resolutions as I am. I
resolve to give up drink, food, clothes, sharing, work, tobacco—in short, all
the vices and luxuries you can imagine—and to lead the simple, blameless life
of an anchorite, a meteorite, a theodolite, or what ever sect it is that behaves
in this manner. This year I have made a determination to keep an account-book.
It came about in the following way:—
A few weeks ago the editor of one
of the papers I toll for grew careless and sent me a cheque. I at once set
about cashing it, and went up to town to the bank where I keep my over draft.
"Got any money to-day?" I said to the cashier.
"Depends on how much you
want," he observed.
"Four-and-six," I said,
"and I cannot accept stamps."
"I think we can just manage it,"
he remarked. "Anyway, give me the cheque and I'll run down to the
strong-room and see what I can do for you. How would you like it?"
"Seven threepenny-bits, three
farthings, a, postal order for four pence-ha'penny, one-and-fivepence in gold,
and the rest in Maunday money [special coinage given to the poor on Maunday
Thursday]," I answered. I forget exactly what he gave me, but I know it
made a fine noise when I mixed it up with my latch-key and two shirt-buttons
and rattled it about.
This sudden accession to wealth not
unnaturally went straight to my head. I grew wantonly extravagant. I flung my
money away in handfuls. I flung a penny in handfuls to the bus-conductor. I
flung a ha'penny in handfuls to a newsboy. I flung four pence in handfuls to
the booking clerk at the railway station; and then finding myself with twenty minutes
to spare I weighed myself lavishly. I bought some senile pre-moratorium
chocolate at an automatic machine. Out of another I got some powerful Araby
Elixir—the machine said it was scent—squirted on to my handkerchief; and I was
just on the point of disappearing into the underground barber's and ordering a
subterranean hair-cut when the engine driver of my train came up and said that
if it were quite convenient he would like to make a start.
I eventually reached home with
threepence and two trading-stamps, though with the exception of the items I
have already mentioned I couldn't, for the life of me, account for the rest of
my money. I tried algebra, conic sections, trigonometry, bigonometry,
polygonometry, but all to no avail. Finally, after a week of acute mental
unrest, I went and called upon a friend who is a chartered accountant, to see if
he could help me. "I want your professional advice," I began.
"Put out your pulse and let me
look at it," he said, in his best chartered manner.
I did so, and then told him my
trouble.
"You must keep an
account-book," he said, when I had finished; "just a small pocket
affair, which you can carry about with you, you know. Then you must put down on
the off-side the amount of money you had when you started, and note on the
leg-side the various sums you expend."
"I know!" I interposed,
eagerly. "Then I double it, add the first number I can think of to it and
the answer's a melon."
"You can if you like,"
observed my friend. "England's a free country. But the process won't help
you much." Then he explained to me how to strike a balance; and when I
left him I counted up my money and went straight off and bought an
account-book.
That night I tried to balance, as
my friend had suggested, but try as I would I was always sixpence too light. I
took off all my clothes and shook them, but still I couldn't find that
sixpence. Eventually I had to go to bed with my poor little six pence homeless,
destitute, and possibly starving. I determined that the first thing I would do
in the morning would be to go down to the police station and ask if a
friendless six pence had been run in overnight for being without visible means
of support. And then, after I had lain awake for some hours cudgeling my
brains, I suddenly remembered that I had counted my money before I had bought
my account-book, and had omitted to put down the cost of the book itself, which
was, of course, sixpence.
But I am getting on very well with
my accounts now. In order to lessen the chance of my forgetting an item again,
I put down everything I spend twice; and I am happy to say that for the last
few weeks my account book has shown a substantial working profit.
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Old Masters
By
Ashley Sterne
I have been dining with a very rich
man. He's so rich that he can afford to carry a whole box of matches about with
him, and eat the very best margarine. His hobby is Art, and he has one of the
fittest collections of Old Masters to be seen this side of Chicago. He collects
Old Masters just as you and I would collect cigarette-pictures or tram-tickets.
Where we should place on the piano in the drawing-room a family photograph
tastefully framed in acorns or limpet shells, he displays a portrait by
Gainsborough worth its weight in radium. Where we should hang on the wall a red
plush-framed mirror decorated with a humming-bird carrying a water-lily in its
beak, he just planks on a Velasquez worth twenty million pounds.
Unhappily for me, I have no eye for
Old Masters. It's all I can do to appreciate the oleograph on the calendar
which our grocer sends us every Christmas. Consequently, when, at my host's
request, I arrived early in order to look at his pictures before the evening
twilight began to twile, I knew beforehand that Charlie Chaplin would be much
better fun.
"This," said Sir Balaam
Sass, indicating with a diamond-shod hand a portrait of a Dutch gentleman drinking
cocoa, "is a genuine Van Houten. Observe with what consummate skill the
artist has depicted the characteristically Dutch face."
"And that characteristically
Dutch cheese on the chair at his side," I added, trying to work up a
little enthusiasm.
"That is not a cheese,"
said my host, frigidly. "That is his infant son."
"Ah, of course!" I said,
hastily, stepping up to the picture and reading the title from the label on the
frame, "Schiedam Schnapps and his son." I ought to have done that before;
but really, you know, babies are so ridiculously like Dutch. cheeses,
especially when they' e got measles—the babies, I mean, not the cheeses—that my
mistake was not inexcusable.
"Here," continued Sir
Balaam, "is a beautiful example from the brush of the great Russian
Master, Ivan Nastikoff. A portrait of Peter the Great."
"Picking a peck of pickled caviare?
Ah, superb! Magnifique! Vodka! Cesarevitch! Tchaikowski!" I cried, wondering
how long it would be before dinner was announced.
"And this," said my host,
taking two paces to the left with his left foot, chest thrown slightly forward,
and thumbs touching the seams of his trousers, "is a typical specimen of
the work of the great animal painter, Sir Edwin Landslip. 'Lady With Poodle.' A
charming picture."
"And what a characteristically
Dutch—I mean, what a wonderful dash of color that scarlet bow at her throat
makes," I put in. "I can't altogether say I admire the style of
hair-dressing in these days, but—"
"You're looking at the
poodle," said Sir Balaam, a trifle pained. "Come over here where the
light's better."
I did so. The light was so good—Sir
Balaam was rich enough to afford the best—that I could easily distinguish the
lady from the poodle. I wouldn't like to say that I could have as easily
distinguished the poodle from the lady. But at any rate I spotted the lady at
once. She had ginger hair. No poodles have ginger hair. I know a man who paints
the kennels at the Kennel Club, and he told me so.
After that we moved to another side
of the room. "Ah!" I exclaimed, with rapture, pointing to the wall. "What
a gem! What a perfect masterpiece! There you have, Sir Balaam, what in my
humble opinion is, as Abraham Lincoln said, 'some' picture. A picture that you
can look at every day without wearying of it, but finding some new beauty in it
every time. Whose work is it, may I ask?"
Sir Balsam put on the pained
expression I alluded to before. "Merryweather," he said, shortly; or,
rather, as shortly as it is possible to say "Merryweather" before dinner.
"I don't remember the name
amongst those of the Old Masters," I remarked.
"Possibly not," said Sir
Balaam, dryly. (Anybody can say that dryly before dinner.) "He makes
fire-engines. The picture you have been admiring is the fire-hydrant in the
wall."
I forget exactly what I was going
to say, but I know it was awfully smart. However, I never got it out, for at that
moment a gold-mounted footman with fatted calves like the Prodigal Son's
stepped into the salon.
"Dinner is served, Sir
Balaam," he announced; and off Sir Balaam went to see if it served him
right.
It was only when we reached the
Waterloo port and Crimea gorgonzola stage that I eventually got hold of two Old
Masters that I thoroughly understood.
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